A Library and Reading Room for Listening

One hundred and eighty-seven sounds] by Esteve P. Clement @es.te.ve no. 5/20 I have gotten used to speaking in fragments because that is how I receive information by Cecilie Penney @ceciliepenney the smooth and the striated 26/77 by D A Calf @d_a_calf When Sounds Ends, unique, by Davide Tidoni @davidetidoni In The Language of The Bat People, Lexicon, Nine Letters by Martin Baus @m4p4ch0 Close conversations of other kinds by Marie-Andrée Pellerin with Élisabeth Vonarburg, Monika Rinck and Christiane Vadnais @faucon_pellegrino Booklets by Noise Research Union! By Cécile Malaspina, Inigo Wilkins, Martina Raponi, Mattin, Miguel Prado, S. de Jager @cecilemalaspina @inigowilkins @martinaraponi @abject_music @miguelprad0 @astrix_en_netflix a Score for - A Case of Stairs by Wim De Pauw published by @the_letters_pace_department The Search for Hassaina’s Song and Other Phonophanies by Suvanni Suri @suvanisuri ETUDES by Ben McDonnell @bcjmcdonnell Out of the Dark & Into the Loud: Charting the Sonic Imaginary by Sabina Otelea @spectraldaze From Windhoek to Kamina to Nauen with contributions from Dieter Daniels, Meheza Kalibani, Tuli Mekondjo, Frederikke Mooann, Frieda Mukufa, Nashilongweshipwe Mushaandja & Angelika Waniek - edited by Frederikke Moormann, Nashilongweshipwe Mushaandja, Angelika Waniek Published by akono Verlag, Lepipzig not a melody by Marie V. B. Slaatta @m4rievictori4 Hello World! by Marta Veronese @mart.a.ve, published by Shibboleth and part of the Emil Units series @shibboleth.page he rain doesn’t bother us - scores for listening by Jez Riley French @jezrileyfrench Beneath the Surface: Deep Listening, Buried Narratives, and Embodied Resistance by Luïza Luz @luizaluzzz_ published by Archive Books @archivebkj and @wemakeitberlin TEN: TWO by Leanna Cunningham @leanne_cunningham2, a work consisting of sound, photography, film and a publication the 86 by Nicki McCubbing @nickimccubbingart, commissioned by @metalliverpool Found Tapes Porto 2004-2019 by Found Tapes Porto Call & Response: A Manual for Finding Dialogue in the Dissonance by Jenny Hawkinson @jennyhawk.art Scenes in a Box curated by SHIH Ya Tien @yatienshih and published by Notation Room @notation_archive The Sounds They Make by Uma Naddermier @umaparis & @00interlude00 The Telaraña Circuit by Lucía Hinojosa Gaxiola @___lucia_____h published by Tender Buttons Press @tenderbuttonspress Manuel or a Hint of Evil by Armin Lorenz Gerold @wiredfoxterrier published by Mousse Publishing @moussemagazine ear eave/s drop by Klara du Plessis @kmdup and supporter by @amplab_ubco The Resonant Frequencies of Building, ed. by Ekaterina Bazhenova-Yamasaki @yekate Public Retreat Explore ed. by Jo Mikkel Sjaastad Huse @oldtiden Nicole Cecilie Bitsch Pedersen @nicolebitsch and Johanna Fager @johanna_fager Listening: A Research Method in Art and Design ed. by Alice Twemlow @alicetwemlow published by Design Lectorate, Royal Academy of Art (KABK), The Hague @royalacademyofart.thehague forsøg på at aflytte et sted i Paris by Morten Søndergaard @morten_sondergaard published by @hermanogfrudit Listening in by Mareike Dobewall @mareikedobewall ADE DEA: cover version - photography by Sara Rossi @sararossirosa , music and sound by LOG @ull___________________________ @_perila concept and dramaturgy by Ant Hampton @aaaaajjjjjhhhhh published by Time Based Editions @time_based_editions The Nomadic Listener by Budhaditya Chattopadhyay @budha.chatto published by Errant Bodies Press @errant_bodies The Human Strike by Brandon LaBelle @b_llabelle, Marc-Antoine Cloutier, Stéphanie Letarte, Fanny Levy, Emmanuel Delby, published by Errant Bodies Press @errant_bodies Experiments in Listening by Rajni Shah (5 print-self zines) 26 Runways by Jon Tarry @jontarry Poems From Descriptive Noise by Berkay Tuncay @berkaytuncays Moon Greetings by Akari Komura @akarikomura visuals by @sophpellesch Call To A Crow by David Horvitz @davidhorvitz co-published by @editiontaube on the occasion of the first @biennaleson Overheard // Overlooked by Barrie Tullett @barrietullett and @kencockburnedinburgh Music to Come by Francois J. Bonnet @kasseljaeger published by @shelter_press (in)tangible otherness - towards eco-empathic listening by Mélia Roger @meliarog Raving by McKenzie Wark, Danish translation at Aleatorik @mckenziewark3000 @forlagetaleatorik Touch, and tender readings. Books as archives by Brandon LaBelle and Annette le Fort, published by The Small Walker Press and Salon für Kunstbuch @b_llabelle @salon_fuer_kunstbuch The Act of Listening by Elias Herltoft @eliasherlto Reading the Wind by William Kudahl, published by arkhest @williamkudahl ‘Handbook of Aggressive Listening’ by @trkirstein @c.haxholm and Rasmus Holmboe ‘E-Flat’, by @kkamanke ‘Anthology of Sound’ by @nielslyhnelokkegaar ‘tips of the sung’ by @samuel_brzeski ‘A Paralingual Score’ by @claramosconi ‘A Tone of Two’ by @mariethams ‘Dear Ear’ by @siahlerien ‘Une généalogie des grandes oreilles’ by @laurentortil ‘Hold the Sound’ by Basecamp edited by @deckkraft and @justinestellaknuchel ‘Listen’ by @linanordenstrom ‘The Great Silence’ by @kamilla_joergensen ‘Swamps and Stars. A Series on Planetary Listening’ by @planetarylistening ‘The Goldberg Variation (Bach Clock) by @jnorda Anthology for Listening Vol. II edited by Bureau for Listening to be [...] to listen and to be Protest Questions for Listening Ideally People Would Listen Instead of Staying Silent

A Library and Reading Room for Listening

Bureau for Listening is dedicated to cultivating a growing Library for Listening — a carefully curated collection of books, texts, and publications that explore listening as practice, philosophy, and artistic method. The library functions as both an archive and a resource, gathering works from diverse disciplines, including sound studies, critical theory, poetry, and experimental art.

Alongside the collection, we curate and host Reading Rooms for Listening — intimate, participatory sessions where selected texts are read collectively, slowly, and attentively. These gatherings create a space for deep engagement, where listening extends beyond sound to encompass language, meaning, and shared reflection. The Reading Rooms invite visitors, artists, and researchers alike to experience how listening can transform perception, dialogue, and collective knowledge.

Library and Reading Room for Listening during Struer Tracks, August 2025, housed within Struer Library.

On the Library and Reading Room for Listening
Bureau for Listening explores the intimate exchange between listening and reading — how the act of listening can shape the way we encounter texts, and how texts, in turn, can deepen our capacity to listen. We are searching for possible manifestations of a Library and Reading Room for Listening: spaces where books, bodies, voices, and silences meet.

What happens when the intention to listen informs the design of such a space? Which books, recordings, and materials belong in a library devoted to listening? Could there be someone reading aloud — allowing others to listen? Or perhaps a collective silence, where listening unfolds without words? What, then, is worth collecting, preserving, and sharing?

We also ask what might make such a library radical: Could it offer a form of care? Could it be a site for collective attention, for wonder, and for rethinking how knowledge circulates? The Library and Reading Room for Listening is both a resource and an experiment — an ongoing inquiry into how listening shapes the ways we gather, learn, and be together.

Books on and for listening
Shelf with books on and for listening. (Laboratory for Listening, SPOR Festival, 2023)

The Library and Reading Room for Listening will be a nomadic space and resource center. We are looking forward to share up-coming locations and lists with resources. We will among others gather physical books, zines, sound-works etc. which we can bring and share with others, and a digital archive for ‘listening materials’.

 

We also hope to be able to share links and other projects that keeps a similary practice of collecting for a listening library and host a reading room for listening…

If you have any recommendations for projects, books, sites, works etc. which you think would be interesting to share within the Library and Reading Room for Listening, please let us know and we will include it. It doesn’t not have to be directly ‘about’ listening – it can be invitational, inspirational, personal, regarding premises or consequences allowing listening, hopes for future listening and experiences with past listening etc.